Each of us probably remembers the building of the kindergarten we once attended. What often comes back, rather than specific recollections, are the sensations and impressions associated with that place. For me, it’s the garden with its quiet corner under the trees, where new friendships were formed; the lockers in the dimly lit corridor that marked the start of every school day; or the soft carpet, onto which I once accidentally spilled an entire bowl of soup. As you begin reading this issue, I invite you to try this exercise, too: what spatial memories come to your mind?

Review of the last exhibition at the České Budějovice House of Art led by curator Michal Škoda.

What’s it like to lead an editorial team and oversee the content strategy of an architecture magazine? The editors-in-chief of ERA21 interview their predecessors to find out.

Designed by architect Michal Brix and completed in 1991, the Křižík Pavilions were originally intended for the General Czechoslovak Exhibition. More than thirty years later, they remain an important part of the Prague Exhibition Grounds. After years of intensive use, the pavilions underwent a large-scale revitalization that brought technical modernizations and new multifunctional possibilities. In addition to interior improvements—which feature a predominantly industrial aesthetic—the pavilions now include green roofs that contribute to sustainability and improve the urban microclimate. The result is a space for exhibitions, relaxation, and social life.

Each day, the consequences of Donald J. Trump’s re-election as President of the United States become more evident—not only for Americans but also for people around the interconnected world. Although the disruptive effects of the economic and foreign policies of his administration receive constant attention, their equally disruptive impact on architecture in the US obtains less notice.