When we think of the great buildings of the past that had no precedent, we always refer to the Parthenon. We say it is the building that grew out of the wall with an opening. We can say, in the Parthenon, light is the space between the columns; a rhythm of light, no-light, light, no-light which tells the tremendous story of light in architecture that came from the wall.

A new multi-purpose hall was built in the grand courtyard of the 1895 neo-renaissance Kaiserbad Spa, one of the classic symbols of the West Bohemian spa town of Karlovy Vary. The red steel extension rests on six ground supports, avoiding physical contact with the listed building. This way the contemporary intervention is visibly acknowledged and also reversible. The movable seating allows the space to be transformed into a conference room or a ballroom with a flat floor. The stage is equipped with acoustic wall panels, and there are movable parts to adjust the space for various acoustic requirements. The entire structure resembles a big red Transformer robot, which is in keeping with the industrial aesthetic of the bath as a whole, transforming the courtyard for a new function.

French architecture of the 20th century is very closely tied to the usage of concrete, possibly more so than in other countries. Let’s think of Auguste Perret or Le Corbusier, both of whom became famous for their exposed and rough concrete designs. Considered durable and relatively cheap, concrete can be used almost everywhere and with many different surface treatments. But it also needs sand and water, while the production of cement alone is responsible for approximately 7 % global CO2 of the world’s emissions. Concrete is great, but at the moment it’s being overused, also it’s too expensive in the long run, and questionable in terms of its environmental impacts. True, we can’t do without it when building bridges and foundations, but in many other cases we can. And there are other materials—wood, straw, reed, rock, earth, hemp—gradually finding their way into contemporary French architecture.

In summer 2021, South Moravia, between Břeclav and Hodonín, was hit by a tornado. This natural disaster claimed six lives, hundreds of injuries and billions of Crowns worth of damages to private and public property. Considerable financial and human resources were expended on immediate response and recovery in the area—humanitarian aid was followed by urgent repairs to infrastructure and buildings. But how does the area look now, two years after the event? We joined municipal architect Ondřej Stolařík on a visit to the most impacted parts of the town of Hodonín.