One of the reasons why I decided to stay in Lisbon was and still is Portuguese contemporary architecture. The proximity of the ocean, the sunlight reflecting off the water and on limestone-paved streets and then flooding every corner of every room – those were the other reasons. I’ve lived in Portugal for 11 years, I’ve started my own studio, I’ve joined the Portuguese chamber of architects and I’ve travelled from one end of the country to the other several times. My friends from university would visit me every summer, accompanied by my contemporary architecture professor Karel Doležel and a group of former students. Armed with a list of new buildings we needed to see and old buildings we needed to see again, and with a bottle of good Port wine, our friendly company would travel across the country to see local architecture.

In a village of Rudník at the foothills of the Krkonoše mountains a historical former brewery is coming back to life thanks to rather ambitious plans of architect Josef Smutný. His studio ilex design is the client, designer, and the property manager all at the same time. He is following the examples of other architects who decided to invest their money and energy into preserving industrial heritage, such as Pavel and Jana Prouza with Lobeč Brewery, or Patrik and Andrea Hoffman with a former screw factory in Libčice nad Vltavou. In our interview with Josef Smutný we not only asked about his motivations and future ideas, but also about negative experience with heritage institutions and related funding options for the continued restoration of the dilapidated brewery.

Visual pollution – especially the type caused by shop promotional signs on streets and squares – is typically a local problem. And as such, city halls and town halls should be able to deal with it. But are they provided with proper legislation? What does the war against visual pollution really look like? The following article documents a recent push to tame the advertising jungle, currently present in the Czech capital’s historical center.

It all started with a successful diploma thesis focusing on Graphic Design in Public Space, which included a map of visual pollution (see ERA21 #03/2018). Five years later, Veronika Rút Fullerová sticks to the same topic. She educates, publishes manuals, and provides consultation in visual communication to cities and firms. In the interview with ERA21 she explains how visual identity can affect companies’ success, how aesthetic quality of our environment affects our mental health, and what we can do to improve the current state of public spaces

V rámci článku o budově Vinařství Lahofer jsme kromě dvou nezávislých recenzí publikovali také rozhovor s autory stavby Ondřejem Chybíkem a Michalem Krištofem. Nyní ho přinášíme v plném znění i pro čtenáře našeho webu.