What is unique about Danish architecture? What kind of history is it born from? What kind of future is waiting for it? Among current professionals in Denmark, there’s hardly anyone better to answer these questions than the Copenhagen-based philosopher Kristoffer Lindhardt Weiss. For years, he has been analysing and interpreting the architecture scene in Denmark for local and international audiences, while actually being an inextricable part of the scene himself.

A key element in the design of Libor Erban and Jan Benda’s 1970s exhibition pavilion was its massing, with three simple box volumes stacked on top of each other like an inverted pyramid. Over time, this principle became suppressed and unclear. Recovering, redefining and redeveloping it was the main goal of the restoration project. One part of the pavilion reveals its load-bearing structure. New program arrangement is expressed in the combination of solid and translucent forms, with the right-hand side enclosed and the left-hand side more open and airy. The restored pavilion uses new and sophisticated building operation systems, which are not concealed but installed in a new technology tower.